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Reimagining the city through the eyes of critically attuned and collective making practices which engage in the vital issues and materials of our contemporary landscape with resilience, humour, energy and transmutation. Beauty is in the Street is an exhibition that begins in the everyday. What we wear, how we read, and the ways in which we move about and respond to the urban environment. Including contributions from Areez Katki, Sione Monu, Lula Cucchiara, Luisa Tora and Molly Rangiwai-McHale, Ash Mosen / Mosen Studios, Rawiri Brown, Liv Worsnop/Plant Gang, Eleanor Cooper, Oliver van der Lugt, Luka Mues, Dawn Blood, Lulu Fang, Annie Mackenzie, Tendai John Mutambu, Bridget Riggir, Lana Lopesi, Ella Sutherland and Billie Popovic Curated By Elle Loui August for Objectspace, exhibition essays by Elle Loui August, Lana Lopesi, Bridget Riggr and John Mutambu, publication design by Ella Sutherland.
Still Life Forms Elaborating on a tradition of still life painting, jeweller Chloe Rose Taylor works to coax unfamiliar sensations into arrangements of the everyday. Recomposing a precise selection of quotidian and nostalgic themes -an extensive seashell collection, an ubiquitous soap brand, and a collection of ambiguous soft sculptures- Taylor has pursued an intuitive and haptic line of inquiry, evading an easy symbolism and pushing her works into a vibrant series of postures and forms. Since graduating from Whitireia Faculty of Arts in 2013 Wellington based artist Chloe Rose Taylor has quickly built a reputation for creating electrifying installations in the field of contemporary jewellery. Taylors work is characterised by an expressive focus on form and playful materiality, and has been exhibited in solo and group shows, both nationally and internationally.
Susan Holmes: Fabric Artist
charts the course of an extraordinary career over five decades. Resisting easy
categorisation, Holmes could be defined as fabric painter, fashion designer,
textile artist, or heralded wearable art designer. Her work has shifted dramatically
over time, from a beginning arguably at a key moment for the development and
popularity of craft in New Zealand, selling hand-printed silk scarves and
garments at the famous Brown's Mill Market in central Auckland in the 1970s, to
a position she is likely best known for today, as one of the most awarded World of WearableArt™ designers in New Zealand.
Holmes' career speaks to her adaptability and resourcefulness, her pursuit of
enquiry and learning and the desire and motivation to be in the studio.
Published as part of Objectspace's Masters of Craft series, author Cerys
Dallaway-Davidson provides an insightful and intelligent overview of Holmes'
career in this exquisitely illustrated book. Providing the opportunity for
readers to hear Holmes’ voice, Dallaway-Davidson paints a vivid picture of her
life and the wider context of motherhood, marriage and the social and political
forces that have influenced her life and in turn her world. Most resonant is
Holmes’ own down-to-earth attitude about making and learning. Humble to the
point of self-deprecating at times, Holmes’ ability to adapt her practice to
her own strengths, areas of interest and degrees of patience is refreshingly
candid and an inspiration to any maker, artist or designer today.
The publication retails at $50 and is available at Objectspace.
Half-blood is an exhibition that challenges the history and myths associated with both Māori and Pakeha identity through two playable digital artworks by graphic designer Johnson Witehira. The works, projected side-by-side in the gallery space, present two narratives; the arrival of Māori and the arrival of Pakeha in Aotearoa New Zealand. The audience are invited to take up the controls and navigate a Pacific or British character through the alien landscape, with each forced to overcome challenges in their newly-discovered worlds. For Māori this included taming the harsh environment; for Pakeha it was taming the savages.
Download this publication See Exhibition InformationReimagining the city through the eyes of critically attuned and collective making practices which engage in the vital issues and materials of our contemporary landscape with resilience, humour, energy and transmutation.
Including contributions from Areez Katki, Sione Monu, Lula Cucchiara & Ash Mosen / Mosen Studios, Rawiri Brown, Luisa Tora and Molly Rangiwai-McHale, Liv Worsnop, Eleanor Cooper, Oliver van der Lugt, Luka Mues, Dawn Blood, Lulu Fang, Annie Mackenzie, Jack Tilson, John Mutambu, Bridget Riggir, Lana Lopesi, Ella Sutherland and Billie Popovic
Curated by Elle Loui August
Join Objectspace and Auckland Museum for a two-day national symposium exploring the state of contemporary practice in the fields of craft, applied art and design. International speakers will be joined by a range of local voices discussing the forces of most influence on making today.
Download this publication See Exhibition InformationAn exhibition focusing on the textile works of emerging artist Quishille Charan, and her investigations of traditional Fijian textiles.
Download this publication See Exhibition InformationA third iteration of New Zealand's prominent jewellery mentoring project, Handshake returns to Objectspace. Founded by jeweller Peter Deckers in 2011, Handshake 3 sees a shift in in mentor / mentee relationship, where the mentor becomes collaborator.
Download this publication See Exhibition InformationNew making from recent graduates of Aotearoa New Zealand
Download this publication See Exhibition InformationA Storage Problem: Martin Poppelwell
Download this publication See Exhibition InformationObjectspace presents the first lifetime survey show of internationally renowned Auckland basketmaker Ruth Castle. Written especially for Objectspace by Dr. Damian Skinner, New Zealand’s leading applied arts curator and author, and currently Auckland Museum Curator of Applied Arts. This publication is available for purchase at objectspace for $20, or email info@objectspace.org.nz if you would like to order one for posting.
Bringing new voices and perspectives to the appreciation of ceramics, Empire of Dirt brings together 15 writers, some new and some familiar, offering new perspectives on ceramics in New Zealand.
Download this publication See Exhibition InformationAn extended catalogue for STRANDS: Weaving a New Fabric, curated by Doris de Pont.
Download this publication See Exhibition InformationDownload our programme of events for Talkfest 2015
Download this publication See Exhibition InformationThe fifth and final Make/Use tear off, and the final piece of your zero waste garment pattern. This tear off also includes an interview with NZ designer Lela Jacobs.
Download this publication See Exhibition InformationFourth in the series, this tear-off is the second to last piece of your zero waste garment pattern.
Download this publication See Exhibition InformationThe second publication in the Make/Use series, and the first of four tear-offs to complete your Make/Use zero waste garment pattern.
Download this publication See Exhibition InformationThe third publication in the Make/Use series, with piece two of your zero waste garment pattern.
Download this publication See Exhibition InformationThe first publication in the Make/Use series, introducing the Make/Use project at Objectspace.
Download this publication See Exhibition Information
In 2014 year, our Talkfest, staged at in partnership with Auckland War Memorial Museum had the theme of Who’s Doing the Talking. A line-up of local and international makers, curators and commentators talked about ‘talking’ and considered the who, what, where, why and how of talking. 21 presenters spoke to over 550 participants.
The Transmogrifier Collection features works by Gisborne-based designer Katy Wallace. Each piece of furniture has been crafted using secondhand objects as the material for a newly designed object.
Download this publication See Exhibition InformationFingers: Jewellery for Aotearoa New Zealand is curated by Finn McCahon-Jones. To download the exhibition guide click here. The 152 page publication Fingers: Jewellery for Aotearoa New Zealand, which is written by Damian Skinner and Finn McCahon-Jones is available to purchase from Objectspace.
Download this publication See Exhibition InformationTim Wigmore’s Precious Cargo project stems from his research into the historical uses and physical characteristics of our native trees and plants and his exploration of Maori myth and legend. He says “I conceived of the Precious Cargo project as a way to celebrate our fauna which is so much a part of our cultural identity”.
Download this publication See Exhibition InformationNanette Cameron: Interior Design Legend is a richly illustrated, 128 page book, that accompanies the exhibition Nanette Cameron: Objectspace Master of Craft.
Using images from the 1960s to the present and text the book explores three particular aspects of Nanette Cameron’s distinguished career in interior design.It also looks at her inspirational teaching and broad influence across a range of fields of art and design, her work as a writer and stylist and her own design practice as evidenced at her renowned Glenmore Road former residence.
Nanette Cameron: Interior Design Legend includes an essay by Dr Rachel Carley that assesses Nanette Cameron’s role in the development on interior design and her significance in related areas of architecture and art with a substantial interview with Nanette by designer Katie Lockhart, one of the project’s curators. Nanette Cameron herself has written My Life in Design as well as an account of her choices for The Blue Room, which is the centrepiece of the Objectspace exhibition.
The
publication is designed by leading designers Starblock (Lloyd Osborne and
Shabnam Shiwan) who have devised a ‘Nanette’ typeface for the book. The
design of the book gives form to Rachel Carley’s observation that Nanettes “contribution to a
constellation of creative practices over a 47 plus year career is substantial”.
Accompanying the book
are 2
posters that feature articles and images styled by Nanette Cameron for The
New Zealand Home Journal and a Nanette Cameron book mark.
You can purchase the publication by visiting us at Objectspace, or email info@objectspace.org.nz to make a postal order.
The publication for Sole Desire features an essay by curator Ioana Gordon-Smith and profiles of 11 individuals who are lenders to the exhibition along with selected photographs of their shoes.
Download this publication See Exhibition InformationBest
in Show is Objectspace’s annual graduate exhibition, showcasing a selection of
outstanding work in the fields of Applied Arts and Design. Now in its ninth
year, Best in Show 2013 functions as
a platform for students stepping into the professional arena, while also
providing an opportunity for the public to view a range of the latest exciting
work to emerge from tertiary organisations.
This publication features contributions by Philip Clarke, Sheridan Keith, Will Pollard, and Ioana Gordon-Smith. To purchase a copy, please contact Objectspace.
Download this publication See Exhibition InformationA brief summary of the 7 UP Talkfest in 2012.
Download this publication See Exhibition InformationAn installation by Malcolm Harrison.
Download this publication See Exhibition Information